CUADAN606A - Extend pointe work techniques to a professional level Competency Mapping Template
Unit of Competency Mapping – Information for Teachers/Assessors – Information for Learners
CUADAN606A Mapping and Delivery Guide Extend pointe work techniques to a professional level
Version 1.0 Issue Date: May 2024
Qualification
-
Unit of Competency
CUADAN606A - Extend pointe work techniques to a professional level
Description
This unit describes the performance outcomes, skills and knowledge required to dance sur les pointes at a professional level.
Employability Skills
Not applicable.
Learning Outcomes and Application
This unit applies to dancers who are moving towards professional careers in contexts where high level expertise in dancing sur les pointes is expected. They perform across a range of dance repertoire as part of a duo, in an ensemble or in solo roles. Dancing en pointe requires strength and skill and is a central part of a female ballet dancer's training and repertoire. Pointe shoes are normally worn only by female dancers, though male dancers may wear them for certain roles and professional performances.
Duration and Setting
X weeks, nominally xx hours, delivered in a classroom/online/blended learning setting.
Prerequisites/co-requisites
Not applicable.
Competency Field
Development and validation strategy and guide for assessors and learners
Student Learning Resources
Handouts Activities
Slides PPT
Assessment 1
Assessment 2
Assessment 3
Assessment 4
Elements of Competency
Performance Criteria
Element: Prepare the body for pointe work
Prepare feet and pointe shoes for pointe work
Warm up and cool down the body for pointe using the entire body for support, including the legs, back and abdominal muscles.
Identify and minimise risk factors associated with pointe work
Seek assistance and advice when common injuries from pointe work occur
Element: Perfect pointe technique
Demonstrate thorough understanding of pointe technique in all ballet activities
Perfect technical requirements in pointe work sequences
Demonstrate complex performance attributes and quality of movement in sequences of extended difficulty sur les pointes
Execute complex variations of ballet repertoire with accuracy and precision sur les pointes across ballet styles and genres
Work towards executing advanced enchaînements with precision, speed and clarity
Demonstrate accurate spatial arrangements, individual artistic quality, and correct musical and rhythmic interpretation en pointe
Element: Review own progress in perfecting pointe work techniques
Demonstrate through ongoing technical strength, diversity and refinement, evidence of advanced self-correction and concentrated response to feedback
Evaluate pointe work and respond appropriately to feedback from teachers and mentors
Regularly view performances by industry practitioners as a way of sourcing new ideas and trends, maintaining motivation, and improving own technique
Evidence Required
List the assessment methods to be used and the context and resources required for assessment. Copy and paste the relevant sections from the evidence guide below and then re-write these in plain English.
The evidence guide provides advice on assessment and must be read in conjunction with the performance criteria, required skills and knowledge, range statement and the Assessment Guidelines for the Training Package.
Overview of assessment
Critical aspects for assessment and evidence required to demonstrate competency in this unit
Evidence of the ability to:
perfect pointe technique through practice, feedback and refinement
demonstrate technical ability when executing sequences sur les pointes
inject a sense of individual artistry and expressive interpretation into the performance of ballet sequences
execute advanced enchaînements with speed and precision.
Context of and specific resources for assessment
Assessment must ensure access to:
fully equipped dance studios
appropriate music or accompanists.
Method of assessment
A range of assessment methods should be used to assess practical skills and knowledge. The following examples are appropriate for this unit:
observation of practice and performance through full practical demonstration
verbal or written questioning to test knowledge as listed in the required skills and knowledge section of this unit
video recordings of performances or practice sessions
case studies and scenarios as a basis for discussing components of classical ballet technique and repertoire that incorporate advanced level pointe work.
Assessment methods should closely reflect workplace demands (e.g. literacy) and the needs of particular groups (e.g. people with disabilities and people who may have literacy or numeracy difficulties, such as speakers of languages other than English, remote communities and those with interrupted schooling).
Guidance information for assessment
Holistic assessment with other units relevant to the industry sector, workplace and job role is recommended, for example:
CUADAN603A Extend ballet technique to a professional level
CUADAN604A Extend ballet performance skills to a professional level
CUAIND601A Work professionally in the creative arts industry.
Submission Requirements
List each assessment task's title, type (eg project, observation/demonstration, essay, assignment, checklist) and due date here
Assessment task 1: [title] Due date:
(add new lines for each of the assessment tasks)
Assessment Tasks
Copy and paste from the following data to produce each assessment task. Write these in plain English and spell out how, when and where the task is to be carried out, under what conditions, and what resources are needed. Include guidelines about how well the candidate has to perform a task for it to be judged satisfactory.
Required skills
communication skills to:
respond appropriately to feedback on own skill development and performance
consult with peers, mentors and doctors, including interpersonal skills relating to listening, questioning, gaining feedback and giving information
initiative and enterprise skills to:
perfect pointe technique
dance with artistry and assurance
learning skills to perfect pointe work through:
practising complex movements and sequences
a positive attitude to dancing
analysing pointe work and applying advanced techniques in own pointe work
planning and organising skills to prepare for pointe work
self-management skills to:
arrive punctually at classes, rehearsals and performances
dress appropriately
observe dance discipline and follow direction
apply safe dance practices and identify risk factors associated with pointe work
demonstrate professional work ethic
technical dance skills to:
articulate correct pointe work technique
apply advanced pointe work to classical ballet sequences and repertoire showing:
muscular strength and flexibility
control of movement
classical line
quality and breadth of movement
individual artistic qualities and personalities
more complex enchaînements.
Required knowledge
well-developed knowledge of each section of dance work as it applies to pointe work, including:
barre
centre practice
adage
pirouettes
allegro
batterie
grand allegro
cool down
principles underlying dance movements and techniques as applied to pointe work, such as:
balance
spatial awareness
successional movement
use of breath
control of movement
muscular strength and flexibility
rotation
transference of weight
anatomical foundations, including:
articulation of the spine
articulation of the feet
bases of support, including feet, legs, hands, arms and torso
range of motion of the joints
differentiation of the legs and pelvis
health and wellbeing issues relevant to classical ballet artists
relationship between music and dance
risk factors in ballet for the physical body, especially as applied to pointe work
pointe work terminology
history of ballet and pointe
principles of classical ballet.
The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.
Preparations for feet may include:
cutting toe nails
protecting the feet through use of, such as:
toe pads
lamb’s wool
using gel medical dressing to help relieve the pain of blisters
tying ribbons correctly around ankles
changing pointe shoes as required
ensuring there is nothing loose around the legs that could cause tripping or other injuries.
Preparations for shoes may include:
using an experienced fitter for shoes to determine:
size
length
width
arch
other measurements of the foot
sewing on elastic to prevent shoes slipping off
sewing on ribbons based on professional advice
breaking in shoes which may consist of:
making the hard shank more supple, so that the shoes can actually bend on demi pointe
softening sensitive spots on the box to offer less friction against the feet by dampening a towel and applying to the box
cutting the shank where arch is and then spraying the box with water
using cyanoacrylate glue or shellac to harden toe box and make shoes last slightly longer.
Warm-up and cool-down may include:
stretching at the barre
feet-strengthening exercises
joint-mobility exercises
articulating through foot from flat to demi pointe to pointe and down
relevés in 1st and 2nd positions
échappés relevés
steps ending on one foot, such as pas de bourrée en pointes and retiré en pointes
in centre practice, exercises on both feet, such as:
temps levés
relevés
échappés en pointe
coordinated breathing activities.
Risk factors may include:
common injuries
incorrectly fitting footwear
slippery or hard floor surface.
Common injuriesmay include:
Achilles tendinitis
athlete's foot
bunions
bunionette
bursitis
bruises
bruised toenails
calluses
contusion
corns
cuts between the toes
dancer's heel (plantar fasciitis)
dermatitis
dorsal exostosis
extensor tendinitis
fungus nails
hallux limitus and rigidus
hammer toes
heel bruises
heel spurs
ingrown toenails
jammed big toes
neuromas
plantar warts
sesamoiditis
sprained ankles
stress fractures
thickened toenails.
Pointe techniquemay include:
commencing with warm-up exercises at the barre and in the centre before performing routines or combinations en pointe
practising combinations in centre
applying correct posture and placement
engaging abdominal muscles
applying rotation of the legs
dancer rising onto full pointe by passing through half-pointe or demi-pointe
achieving full pointe by either articulating through the feet for adage or relevés to pointe in allegro combinations.
Technical requirementsmay include:
correct placement and coordination of body parts
transference of weight
strength and stability
posture
balance
rotation of legs.
Performance attributesmay include:
strength, flexibility, coordination and cardiovascular endurance
detailed musicality with attention to nuances of interpretation
movement qualities to movement sequences
strong sense of individuality and 'presence' in the execution of sequences
sensibility in sequences of increasing difficulty
alternative and structurally changing musical time signatures and phrasing for extended sequences
different expressive qualities applied to movement sequences
extensive and changing expressive qualities applied to movement sequences
assured artistic interpretations of sequences and variations.
Repertoire may include:
romantic
classical
modern ballet
original choreography.
Ballet styles and genres may include:
contemporary ballet
modern ballet
neoclassical
ballet-masquerade
ballet-melodramatique
romantic
imperial.
Spatial arrangementsmay include:
floor patterns
aerial pathways.
Copy and paste from the following performance criteria to create an observation checklist for each task. When you have finished writing your assessment tool every one of these must have been addressed, preferably several times in a variety of contexts. To ensure this occurs download the assessment matrix for the unit; enter each assessment task as a column header and place check marks against each performance criteria that task addresses.
Observation Checklist
Tasks to be observed according to workplace/college/TAFE policy and procedures, relevant legislation and Codes of Practice
Yes
No
Comments/feedback
Prepare feet and pointe shoes for pointe work
Warm up and cool down the body for pointe using the entire body for support, including the legs, back and abdominal muscles.
Identify and minimise risk factors associated with pointe work
Seek assistance and advice when common injuries from pointe work occur
Demonstrate thorough understanding of pointe technique in all ballet activities
Perfect technical requirements in pointe work sequences
Demonstrate complex performance attributes and quality of movement in sequences of extended difficulty sur les pointes
Execute complex variations of ballet repertoire with accuracy and precision sur les pointes across ballet styles and genres
Work towards executing advanced enchaînements with precision, speed and clarity
Demonstrate accurate spatial arrangements, individual artistic quality, and correct musical and rhythmic interpretation en pointe
Demonstrate through ongoing technical strength, diversity and refinement, evidence of advanced self-correction and concentrated response to feedback
Evaluate pointe work and respond appropriately to feedback from teachers and mentors
Regularly view performances by industry practitioners as a way of sourcing new ideas and trends, maintaining motivation, and improving own technique
Forms
Assessment Cover Sheet
CUADAN606A - Extend pointe work techniques to a professional level
Assessment task 1: [title]
Student name:
Student ID:
I declare that the assessment tasks submitted for this unit are my own work.
Student signature:
Result: Competent Not yet competent
Feedback to student
Assessor name:
Signature:
Date:
Assessment Record Sheet
CUADAN606A - Extend pointe work techniques to a professional level
Student name:
Student ID:
Assessment task 1: [title] Result: Competent Not yet competent
(add lines for each task)
Feedback to student:
Overall assessment result: Competent Not yet competent